The writing in this painting functions almost like the opposite of a traditional picture caption. Ironically, however, these two maximally clear systems of representation undermine clarity when placed in combination. The writing across the bottom of the canvas, “This is not a pipe,” also appears in careful, perfectly legible script. ![]() The pipe is rendered quite simply and naturalistically. In La Trahison des images (Ceci n’est pas une pipe), or The Treachery of Images (This is not a pipe), Magritte sets image and words against each other to great effect. So, for instance, without the words, no one would hesitate to identify this picture of a pipe as “a pipe.” Adding the words makes this more difficult if it is a pipe, could someone smoke it? In particular, Magritte investigated the common habit of using the same words to describe both pictures of things and the actual objects they represent. His paintings, thus, raise questions about the ways people tend to talk about and understand images. ![]() Extending this strategy, Magritte also included text in many of his paintings, sometimes labeling images with the “wrong” word or playing on the relationship between word and image by exchanging one for the other.
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